At the same time, ex-liberals like Irving Kristol turn a growing disenchantment with LBJ’s Great Society into a new kind of conservatism, one obsessed not with individual liberty, but collective liberty centered around a mythical enemy (Islam!) (Liberals!) (Reds!).
The film hinges on comparing the two movements as ideologies rooted in the same ideals: a staunch opposition to liberalism, the existence of a shadowy and existential threat to “our” way of life, and the centrality of society’s moral decay. The film is a re-dux of one of my favorite innovations in political philosophy, the Horseshoe Theory. It says that the ends of the political spectrum sit not farthest apart, but closest together—much like the ends of a horseshoe. The paradigm places moderates farthest from each other and extremists closest together.
Read the entire article
No comments:
Post a Comment